POETRY
2025 || Grief in Summer, Invisible City
2025 || Two poems (Echo Stitch, Archipelagic), Poetry Northwest
2025 || ‘Ulu, The Hopkins Review
2025 || In the Sense of Island (Finalist for the James Welch Prize), Poetry Northwest
2024 || When My Beloved Proenza Schouler Tries to Sell Lei for $1,500, Poetry Magazine
2024 || My/Mother’s Fears, My Beauties, The Offing
2024 || Years After I Quit the Water, Epiphany Magazine
2022 || Heliconia rostrata, Reed Magazine
2022 || Green, Cut Fruit Collective
2017 || Sharing Secrets, Pleiades: Literature in Context
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PROSE
2025 || The Family Archive as Afterlife: Finding Inspiration in the Unknown, Literary Liberation
2023 || Descent, swamp pink
2023 || Alone by Morning, Amongst the Weeds: Meditations on Place: An Anthology from the Interdisciplinary Writers' Lab of 2022
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2025 || One Day Your Voice Will Become Mine: On Kalehua Kim’s Mele, Poetry Northwest
2023 || Molokai on my Mind, The Molokai Dispatch
REVIEWS + LETTERS
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INTERVIEWS + PROFILES
2019 || Victor Glemaud
2016 || Adrian Cheng
2016 || Carolina Wong
2015 || The Rumpus Interview with Ottessa Moshfegh
2015 || The Rumpus Interview with Mia Alvar
2015 || California Wives
2015 || Orly Ruaimi
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fashion, ART + culture
2020 || Telfar Bag or Faux? How to Spot the Real Thing
2020 || How to Spot Real Comme des Garçons PLAY
2020 || Would You Date an Eames Chair?
2020 || How to Clean Cotton, Linen + Silk
2019 || Nike Air Force 1: The Birth of a Super Sneaker
2017 || Why This Barry McGee Piece Is More Relevant Than Ever
2015 || Experience Headphones